![]() ![]() ![]() ![]() The move to 64-bit allows cineSync to take full advantage of all available system memory, which in turn enables massive optimisation of playback and support for 4k, high res and high frame rate media, and to add new features such as file encryption.ĬineSync Pro now includes a direct integration with studio management software NIM, from California’s NIM Labs. Other improvements include a new frame playback option and increased security around file transfers from Shotgun, ftrack and elsewhere.ĬineSync 4.1 will be the first 64-bit version of cineSync, now that the 32-bit Quicktime 7 has been replaced as a playback engine. 4.1 also adds a new, comprehensive integration with NIM, adds support for Aspera’s Faspex, and updates existing integrations with ftrack and Aspera Connect. They offer a subscription-type costing based on duration (1 month, 6 months, 1 year) and the number of users, which lends itself to charging the production on a project by project basis rather than it being a permanent service available to a facility… Apart from the obvious uses for VFX and picture editing approval, this could be very handy as a means of remotely spotting a film or scene, or reviewing temp mixes, since it is possible to embed 5.1 audio into a Quicktime file….Ī friend commented: “Film post production advances towards being environmentally friendly by reducing travel imperatives, although coming along as well is the prospect that we editors may end up being like battery hens.CineSync 4.1 expands workflow options with new 64-bit functionality, support for Aspera Faspex, a new integration with NIM, and increased securityĪDELAIDE, AUSTRALIA – J– Cospective, creator of innovative software solutions for visual communication, has released the latest update to the Academy Award®-winning cineSync video review software.ĬineSync 4.1 presents the first 64-bit release of cineSync, offering a much wider range of playback options. Movies are never transferred through the cineSync servers, ensuring that your reviews are secure, and your media never leaves the privacy of your own file servers.” All they need to do is download a small self-contained package, and login using a key that is unique per-review session. You can also navigate through your playlist using Text Markers (‘Bookmarks’), transfer your movies using a built-in FTP client, import and export Final Cut Pro XML data and save your session and your drawings for future reference.ĬineSync offers an unparalleled user experience, making it possible for your clients to participate in a review session without needing their own account. By synchronising the timeline and playback of movies, you can quickly and efficiently view your work at the same time with anyone anywhere in the world.īuild a playlist of movies, scrub to a point in a movie, playback a movie, draw on the screen with your mouse, write, circle and point to areas using the drawing tools – all synchronised in real time with everyone else in your review. Quoting explanation from their own website: “cineSync is a remote review and approval tool based on Apple ® QuickTime technology. But I recently became aware of a company/product called cineSync who have taken remote collaboration to the next level… We rely on iChat constantly when working on a film, mainly in text form although its very handy for directly sending EDLs/changelists & audiofiles without having to upload/download via ftp etc… This applies between cities & countries but also even between buildings or the room next door. ![]()
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